The Great Gatsby by F. Scott Fitzgerald Book Summary

The Great Gatsby

The Great Gatsby the third literary opus penned by F. Scott Fitzgerald and published in 1925 under the imprint of Charles Scribner’s Sons, unfolds within the dynamic tapestry of Jazz Age New York. Within its pages, the narrative unveils the poignant saga of Jay Gatsby, an industrious self-made magnate, and his genuine quest for the affection of Daisy Buchanan, an affluent young woman who ignited his heart during his formative years. Though its initial reception was lackluster, the novel has since ascended to the echelons of literary distinction, hailed as a quintessential masterpiece of American fiction, and often heralded as the embodiment of the quintessential “Great American Novel.”


The narrative is presented through the perspective of Nick Carraway, an alumnus of Yale University hailing from the American Midwest. Following his service in World War I, Carraway relocates to New York City to establish himself in bond trading. Set two years subsequent to the events he experienced on the East Coast, the tale unfolds as he skillfully weaves together a sequence of retrospective vignettes, often eschewing strict chronological order. This narrative approach serves to intricately reconstruct the immersive summer he spent in the East, lending an air of both sophistication and allure to his storytelling.

In the vernal season of 1922, Nick Carraway secures a residence within the fictitious enclave of West Egg, nestled along the expanse of Long Island. Here, he finds himself ensconced amidst opulent abodes that house the burgeoning fortunes of the nouveau riche. Adjacent, in the more refined domain of East Egg, dwell his cousin Daisy and her formidable, conspicuously affluent spouse, Tom Buchanan. As the early summer sun warms the locale, Nick receives an invitation to dine at their lavish abode, introducing him to Jordan Baker, a confidante of Daisy’s and a lauded luminary in the world of golf.

During this social gathering, the fabric of secrets and intrigues unfurls as Jordan whispers to Nick of Tom’s clandestine liaison in the heart of New York City. Amid the backdrop of elegance and extravagance, Daisy confides in Nick, unveiling her pervasive discontentment. Retreating to his dwelling in West Egg, Nick’s gaze is on his enigmatic neighbor, Jay Gatsby. An enigmatic figure, Gatsby stands alone in the obscurity of the night, his outstretched arms seemingly reaching for a distant beacon—a verdant light that emanates from the far end of Tom and Daisy’s pier, casting its luminescence across the tranquil bay.

In early July, Tom initiates a fateful introduction between Nick and his paramour, Myrtle Wilson. The Wilsons reside amidst an industrial desolation known as the “valley of ashes,” a symbolic wasteland watched over by the bespectacled gaze of Doctor T.J. Eckleburg, whose watchful eyes peer down from a prominent advertising billboard. The rendezvous takes place at the garage where George Wilson earns his livelihood as a repairman. Subsequently, the trio proceeds to Tom and Myrtle’s urban abode in Manhattan.

Their company is joined by Myrtle’s sister and a coterie of close acquaintances from the vicinity, culminating in an evening steeped in excessive inebriation. The culmination of the event arrives with an unfortunate incident—Tom’s physical altercation with Myrtle as she recklessly broaches the topic of Daisy, Tom’s wife. The aftermath finds Nick rousing from his slumber in a train station on the following morning, bearing witness to the aftermath of a night imbued with tumultuous emotions.

As the summer season unfolds, Nick acclimates himself to the symphony of sounds and the spectacle of brilliant soirées gracing his neighbor’s abode. This elegant establishment serves as a magnet for both luminaries and the recently affluent, who congregate each Saturday night to revel in Gatsby’s opulently stocked bar and the enchanting melodies of a complete jazz orchestra. Amidst this glittering tapestry, Nick’s entrance into this world materializes through a personal invitation from Gatsby himself, leading to a chance encounter with Jordan. This rendezvous consumes much of the evening’s hours.

Within this lavish milieu, Nick’s curiosity is piqued by the enigmatic absence of the host, an absence that casts a shadow of speculation over the gathering’s illustrious attendees. Yet, a pivotal juncture emerges as Nick finally crosses paths with the enigmatic Gatsby during a discreet and contemplative interaction. This chance tête-à-tête reveals the man sitting adjacent to him as the enigmatic host, Gatsby. However, like a fleeting apparition, Gatsby vanishes into the ether, resurfacing later for a private discourse with Jordan.

The aftermath of this secretive conversation leaves Jordan visibly astounded, a sentiment she imparts to Nick, though the particulars of the exchange remain shrouded in secrecy. This intricate dance of intrigue, charisma, and secrecy paints a beguiling portrait of an era defined by excess, hidden motives, and the allure of the unknown.

As the summer unfolds, Nick’s connection with Jordan Baker deepens, paralleled by his growing familiarity with the enigmatic figure of Jay Gatsby. Amidst the warm hues of a late July afternoon, as they drive towards Manhattan for a luncheon, Gatsby seizes the opportunity to dissolve the veils of speculation encircling his persona. With a certain earnestness, he imparts to Nick a narrative wherein he identifies himself as the scion of deceased luxury, coupled with the accolades of an Oxford education and the courage of a war hero. Skepticism lingers in Nick’s mind, lingering as a quiet undercurrent.

Within the realm of a midday repast, Nick encounters Meyer Wolfsheim, Gatsby’s astute associate, a historical figure woven from the threads of the 1919 World Series scandal—a testament to Fitzgerald’s literary alchemy, bridging reality and fiction seamlessly. The tapestry of the day continues to weave its intricate threads, guiding us to an afternoon tea, where revelations simmer beneath genteel conversations. Jordan Baker, the bearer of clandestine truths, unfolds the petals of Gatsby’s past—a revelation whispered to her in a moment of confiding vulnerability. Unveiled before her were the tendrils of an affair blooming nearly half a decade ago, a vibrant liaison between Gatsby and Nick’s cousin, Daisy. Love, tragically severed by the tumultuous currents of World War I, found its echoes in Gatsby’s purchase of the lavish West Egg residence—an emblem of longing situated just across the waters from Daisy’s abode.

In this symphony of social intricacies and emotive revelations, F. Scott Fitzgerald’s prose dances elegantly, painting a canvas of time, desire, and the shadows that haunt the edges of lives entwined within the folds of a glorious yet elusive era.

Upon Gatsby’s earnest request, Nick graciously extends an invitation to Daisy, orchestrating a long-awaited reunion. Several days after that, within the refined confines of Nick’s abode, a scene of profound significance unfolds as Daisy beholds Gatsby, her countenance awash with astonishment after an interval of nearly half a decade. The initial moments transpire with a subtle unease, prompting Nick to tactfully withdraw, affording the two former lovers a cherished private interlude. Following his brief absence, a transformative shift becomes apparent – Gatsby emanates an aura of radiant contentment while Daisy’s emotional floodgates open, crystallizing in a tearful release. Subsequently, a stroll to Gatsby’s opulent adjacent mansion ensues, wherein its grandeur is unveiled to Daisy, exemplifying the magnitude of Gatsby’s devotion and ambition.

As time passes, Tom becomes aware of Daisy’s connection with Gatsby. Expressing his disapproval of this association, he makes an appearance alongside his wife at one of Gatsby’s opulent gatherings. During this event, it becomes evident that Daisy is disenchanted by the party’s generosity and is taken aback by the perceived impropriety of the nouveau riche assembly in West Egg.

Amidst the atmosphere of the occasion, Tom’s suspicions about Gatsby’s illicit activities, particularly his involvement in bootlegging, begin to surface. In a candid conversation with Nick after the soirée’s conclusion, Gatsby confides his profound desire for Daisy to confront the reality of her emotions. He envisions a scenario wherein Daisy openly admits to never having truly loved Tom and subsequently agrees to unite with Gatsby, erasing the passage of years as if they had never transpired.

Subsequent to the cessation of Gatsby’s extravagant soirées, a shift occurs in the dynamics of relationships. Daisy finds herself drawn to Gatsby’s abode during the languid afternoons. The narrative unfolds to a scorching day toward the waning days of summer when a luncheon engagement beckons Nick, Gatsby, and Jordan to the esteemed residence of the Buchanans. Within the refined ambiance of the dining chamber, a pivotal moment transpires as Daisy extends a compliment to Gatsby, a gesture bearing an unmistakable testament to her profound affection. Sensing this development, Tom compels a departure to the town’s precincts.

The ensuing tableau unfurls with Daisy and Gatsby ensconced in Tom’s azure coupe while Tom steers Jordan and Nick in the ostentatious yellow automobile belonging to Gatsby. During a refueling stop at George Wilson’s garage nestled within the ashen Valley, Tom receives jarring news – George’s intent to migrate westward with Myrtle upon amassing the necessary funds. This revelation reverberates deeply within Tom, urging him to accelerate the journey toward the city’s heart. Eventually, converging at the opulent Plaza Hotel, the company finds itself in a state of irritable discomfort.

As the anticipation of mint juleps pervades the atmosphere in a bid to temper the oppressive heat, an imminent confrontation brews between Tom and Gatsby, focused on the enigmatic tether between Gatsby and Daisy. Despite Daisy’s attempts to mollify the situation, Gatsby remains resolute, asserting an enduring love between himself and Daisy, while asserting that her affections never truly belonged to Tom. The verbal clash intensifies, leading to a juncture where Tom unveils an unsettling revelation extracted from an inquiry into Gatsby’s past – his acquisition of wealth through the illicit trade of alcohol in Chicago with the conniving Wolfsheim during the era of Prohibition.

Gatsby endeavors to disclaim these allegations, but the tenor of Daisy’s resolve falters, evoking an air of futility. Upon their exit from the Plaza, Nick, amidst the tumultuous milieu, attains a self-awareness – the realization that the day also marks his thirtieth birthday.

Gatsby and Daisy ensconced within the confines of Gatsby’s automobile, embark on a fateful journey. Daisy, assuming the role of the driver, propels the vehicle forward. Tragically, their path intersects with the ill-fated Myrtle, whose impulsive flight onto the road in pursuit of what she believes to be her husband Tom’s presence results in a fatal collision. The specter of this dreadful event does not escape the notice of witnesses along the route.

In a twist of fate, Tom, unaware of the unfolding tragedy, approaches the scene from behind in his car, only to be confronted by the tumultuous aftermath. The lifeless body of his paramour, Myrtle, lies in solemn repose within Wilson’s garage, a heart-wrenching tableau that leaves him shattered.

Engulfed in a maelstrom of emotions, Tom is subjected to the accusatory gaze of Wilson, who points the finger at the yellow automobile responsible for the fatal accident. Despite the weight of the accusation, Tom vehemently asserts his innocence, his tearful departure marked by a profound sense of grief and confusion.

Amidst the opulent environs of the Buchanan residence in East Egg, Nick, the astute observer, uncovers Gatsby’s clandestine presence within the verdant embrace of the garden. The revelation that Daisy was the one at the wheel during the calamitous incident is laid bare. However, Gatsby valiantly professes his willingness to shoulder the blame if his vehicle is implicated. His unwavering dedication extends to stationing himself outside Daisy’s abode, a sentinel against any potential harm Tom might inflict.

The following dawn finds Nick at Gatsby’s residence, where the latter has reappeared, enveloped in hopelessness. Sensing the gravity of the situation, Nick implores Gatsby to consider departure, apprehensive of any potential traceability of his automobile. However, Gatsby remains resolute in his decision to stay, and during the ensuing evening, he unburdens himself to Nick, disclosing the hitherto concealed truths of his past. Hailing from modest agrarian origins, he recounts his fortuitous encounter with Daisy in Louisville during his military service, when financial constraints precluded their union. The revelation of his meteoric post-war wealth, amassed through covert means such as bootlegging, comes to light, a revelation previously exposed by Tom.

Reluctantly, Nick departs for his workplace, torn between his obligations and the lingering anticipation of a call from Daisy. Meanwhile, Gatsby remains ensconced in hopeful waiting, yearning for an elusive connection. As the day unfolds, George Wilson, driven by a consuming grief, arrives in the refined enclave of East Egg. There, Tom Buchanan imparts a fateful revelation to him, pointing to Gatsby as the hand behind his wife’s tragic demise.

Wilson traverses to Gatsby’s opulent mansion with a purpose as solemn as it is dire. There, by the shimmering waters of the pool, he encounters Gatsby himself. A poignant confrontation ensues, culminating in an irrevocable act. Wilson’s desperate anguish finds its expression in a gunshot that resonates across the estate, claiming both Gatsby’s life and his own.

In the wake of these haunting events, the Buchanans depart from Long Island with a surreptitious air, their future whereabouts shrouded in mystery as they leave no trace of their destination. Against this backdrop of tragedy and retreat, Nick takes it upon himself to orchestrate Gatsby’s final farewell. Despite the grandeur of Gatsby’s dreams, his funeral is marked by an eerie solitude, attended only by a scant handful, including his father.

Overwhelmed by the disillusionment brought about by life in the East, Nick contemplates a significant shift. He returns to the heartland, disenchanted by the excesses and hollow pursuits that characterize his experience in the bustling urbanity of the East.

Context and reception

Immersed in what F. Scott Fitzgerald coined the “Jazz Age” or the “Roaring Twenties, The Great Gatsby Book masterfully encapsulates its contemporary milieu:

  • The resounding economic surge in post-World War I America
  • The entrancing cadence of new jazz melodies
  • The illicit flow of unrestrained spirits

As Fitzgerald himself reflected in an essay on this epoch, it marked an era where an entire populace embraced hedonism, collectively opting for the pursuit of pleasure.

The opulent culture of West Egg unabashedly mirrors the newfound affluence attainable during the Prohibition era, a time rife with clandestine ventures centered around the illicit trade of alcoholic beverages. Gatsby’s opulent lifestyle draws its sustenance from these covert enterprises, fueling his extravagant soirées—a conceivable homage to the festivities Fitzgerald experienced firsthand during his residency on Long Island in the early 1920s.

Even the undercurrents of racial unease that pervaded this era find their place within the novel’s narrative fabric. Tom’s vehement discourse on “The Rise of the Colored Empires,” a direct allusion to the factual 1920 publication by American political scientist Lothrop Stoddard, serves as a poignant indicator of the nascent eugenics movement that gained traction in the United States during the early 20th century.

In the early months of 1925, amidst his vacation in France, F. Scott Fitzgerald concluded his masterwork, “The Great Gatsby,” which would later find its place within the pages of Scribner’s publication in April. This achievement, however, was full of artistic struggles. Fitzgerald’s quest for the perfect title led him through a labyrinth of possibilities, including such evocative contenders as “Trimalchio” and “Under the Red, White, and Blue.” His dissatisfaction persisted even as the novel was ultimately christened, “The Great Gatsby.”

The iconic visage that graced the novel’s dust jacket was born from a captivating collaboration between Fitzgerald’s editor, Maxwell Perkins, and the artistic talents of Francis Cugat. A full seven months before receiving the finalized manuscript, Perkins engaged Cugat to craft an illustration that would encapsulate the essence of the forthcoming literary gem. Cugat, renowned for his Hollywood film poster designs, endowed the jacket with an enigmatic allure—an ethereal woman’s eyes suspended above the kaleidoscopic luminance of Coney Island’s carnival lights.

Immersed in the creation of this distinctive piece, Cugat’s vision struck a resonant chord within Fitzgerald’s creative sensibilities. So profound was the connection that Fitzgerald claimed, in correspondence to Perkins, to have woven the essence of the artwork into the narrative tapestry. This assertion, however, leaves open the question of whether the famed eyes of Doctor Eckleburg were indeed the embodiment of Cugat’s creation or if some other enigma is concealed within Fitzgerald’s words.

With time, Cugat’s brushstroke masterpiece has assumed its rightful place as a memorable emblem of jacket art within the annals of American literature. Its iconic allure, a beguiling glimpse into the enigmatic allure of the Roaring Twenties, continues to captivate hearts and minds, rendering it an enduring symbol of the artistry that can bridge the realms of word and image.

Fitzgerald’s perception of The Great Gatsby Book as his magnum opus stood in stark contrast to its initial reception, where critical acclaim and commercial success eluded the novel. Met with a mosaic of reviews, the inaugural print run of 20,000 copies languished in sales. Despite a subsequent print endeavor during Fitzgerald’s lifetime, remnants of unsold copies persisted after his passing in 1940. A renaissance of the work materialized in subsequent years, with the 1950s witnessing an exponential surge in its popularity, ultimately solidifying its position as a cornerstone of high-school syllabi. The passage of time has only solidified its stature, enduring as a premier offering in Scribner’s literary catalog. Today, it commands veneration as a quintessential masterpiece of American literary heritage. The narrative’s allure has transcended the page, inspiring multiple cinematic interpretations, notably Jack Clayton’s 1974 rendition featuring Robert Redford as Gatsby and Baz Luhrmann’s 2013 iteration starring Leonardo DiCaprio.


Foremost, “The Great Gatsby” emerges as a poignant exploration of the American Dream, primarily construed through a prism of pessimism. At its core, the narrative unfurls a remarkable tale of ascent from poverty to luxury—an odyssey wherein a young man, born into modest agrarian roots, ascends to a realm of staggering affluence. Jay Gatsby, the protagonist, metamorphoses from poverty to become the host of lavish gatherings for the affluent and renowned within the confines of his sprawling abode on Long Island. Notwithstanding the amplitude of Gatsby’s riches, a pivotal juncture materializes: his aspiration to infiltrate the enclaves of an elusive “exclusive society,” entrenched within the echelons of inherited privilege, remains a vexing aspiration.

Gatsby’s ardent endeavor to secure the affections of Daisy Buchanan, a scion of a venerable American lineage, culminates in a tragic outcome, culminating in his untimely demise. This poignant dichotomy, encapsulating the tension between “new wealth” and “established affluence,” finds embodiment in the juxtaposition of West Egg and East Egg. The former emerges as an ostentatious, audacious milieu that resists the conventions of yore, populated by individuals who have amassed their fortunes amidst an era of unparalleled materialism. In contrast, East Egg radiates an air of cultivated elegance, housing America’s “dignified aristocracy”—those who have inherited their wealth and are inclined to disdain the flashy veneer of their West Egg counterparts.

Ultimately, it is the dominion of East Egg that ostensibly prevails. The tumultuous events of a fateful summer culminate in Gatsby’s demise and the dispersal of his flamboyant soirées. At the same time, Tom and Daisy Buchanan emerge unscathed—a testament to the enduring potency of inherited privilege.

“The Great Gatsby is a testament to its profound narrative intricacies, heavily imbued with intricate symbolism. Throughout the expanse of the novel, the recurring motif of the green light positioned at the extremity of Daisy’s dock emerges as a poignant emblem, resonating deeply with Gatsby’s fervent ambition. This luminescent beacon encapsulates his unwavering faith in an ‘orgastic future,’ a vision that propels his outstretched arms as Nick initially lays eyes on him. Nick profoundly admires Gatsby’s remarkable propensity for optimism, a trait that is rooted in this very symbol—an exquisite receptivity to the allure of life’s promises.

As events unfold and Daisy draws within Gatsby’s grasp, the monumental import of the green light seems to wane. This shimmering beacon transmutes into an unattainable covenant, a phenomenon Nick interprets in a universal context as the narrative reaches its conclusion: a destiny we eternally pursue yet ultimately eludes our clasp. In a stroke of literary prowess, Nick likens this mysterious green light to the hope that fueled the pioneers’ dreams of the New World.

Gatsby’s aspirations suffer a poignant downfall when he anchors his aspirations to a tangible entity—Daisy. The erstwhile nebulous nature of his ambition becomes inextricably tied to the constraints of reality, rendering it susceptible to the encroaching venality of the world. The narrative unfolds as a cautionary tale, epitomizing the perils of fixating one’s aspirations upon a singular, human facet of existence, effectively eclipsing the expansive panorama of potentiality that once lay before Gatsby’s horizon.”

The desolate expanse known as the Valley of Ashes, positioned between West Egg and Manhattan, serves as a poignant contrast to the alluring promise embodied by the distant green light. This grim wasteland, tainted by industrial residues, embodies the repercussions stemming from America’s postwar economic surge. It unveils the unattractive verity concealed behind the opulent façade of consumerism that uplifts nouveau riche individuals like Jay Gatsby.

Within this bleak landscape resides figures like George Wilson, symbolic of those already succumbing to their circumstances. They form the marginalized underclass, bereft of optimism, while unwittingly fueling the avarice of a burgeoning economy. Significantly, Gatsby is trapped in the ashes of the economic engine that propelled his ascent. George Wilson, draped in an ashen pallor, ultimately becomes the agent of Gatsby’s demise.

Hovering over the Valley of Ashes, the watchful gaze of Dr. T.J. Eckleburg’s bespectacled eyes adorns an advertising billboard for an oculist. These eyes emerge as a moral touchstone within the morally hollow universe of The Great Gatsby; to George Wilson, they metamorphose into the gaze of a higher power. A continuous presence, they “brood” and maintain their “vigil” over the desolate terrain, bearing witness to the novel’s most tainted moments: the illicit liaison between Tom and Myrtle, Myrtle’s tragic demise, and the Valley itself, burdened with the detritus of industry and the toil of the oppressed.

However, despite assuming the role of divine observers and judges, these symbolic eyes ultimately emerge as yet another manifestation of the materialistic ethos of the era established by Dr. Eckleburg to augment his professional pursuits. Behind them lies yet another individual pursuing wealth. Thus, their function as a moral lodestar is ultimately nullified, leaving the novel bereft of an unwavering ethical anchor.